Canon EOS C100:
the ideal camera for independent videographers
The EOS C100 Mark II provides videographers and independent filmmakers with an advanced creative tool that’s fully capable of capturing high quality footage, even at very low light levels. With Dual Pixel CMOS Autofocus, a new video processing system and the same Super35mm CMOS sensor as used across the award-winning Cinema EOS range, the C100 Mark II provides a cost effective solution for high-quality video across a wide range of applications.
Who is it for?
The EOS C100 Mark II further evolves the Canon range of Digital Cinema Cameras and offers a potent combination of a small, lightweight body with features such as Dual Pixel CMOS AF, ISO up to 102,400 and an 8.3MP Super35mm CMOS sensor for stunning Full HD (1920x1080) footage with reduced moiré and aliasing.
The camera offers an expanded set of recording options, with the AVCHD codec allowing recording at up to 28Mbps and a new MP4 mode offering data rates of up to 35Mbps for outstanding quality – plus the option to record the two formats simultaneously to separate SD cards. 1080p recording modes provide new creative possibilities.
The camera will appeal to a wide variety of single-operators and filmmakers in fields such as electronic news gathering (ENG), documentary making, independent movie productions, educational content production, events and weddings.
- 8.3MP Super35mm CMOS sensor; Full HD
- Dual Pixel CMOS Autofocus; Face Detection AF*
- ISO 102,400; low noise
- Dual Format AVCHD/MP4 recording up to 1080/60p
- OLED display; improved EVF
- Built-in WiFi and remote control options
- HDMI output
- EF lens mount
- Professional audio
- CPS video support
* Face Detection AF available with Canon EF-S STM lenses.
STUNNING IMAGING PERFORMANCE
An 8.3MP Super35mm CMOS sensor, designed and manufactured by Canon specifically for video capture, combines with DIGIC DV 4 and a new video processing system to deliver superb high-resolution images with high sensitivity, low noise, reduced rolling shutter artefacts and beautifully shallow depth-of-field.
ADVANCED AF SYSTEM
The EOS C100 Mark II features Dual Pixel CMOS Autofocus, which enables continuous AF with over 100 compatible EF lenses. This sensor-based, phase-detection autofocus (AF) technology is designed to provide smooth, high-performance continuous focus in movies. It is a unique, Canon-developed technology, ideal for fast and accurate autofocus, that helps filmmakers to create stunning footage which maximises the creative options offered by fast lenses and shallow depth-of-field.
The EOS C100 Mark II camera with Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF Mode, phase detection autofocus helps to ensure non-blurred images and smooth focus transitions even when the subjects and/or camera are moving. This feature places a high priority on maintaining sharp focus while, providing a natural, smooth autofocus movement with selected Canon EF lenses that offer even smoother and quieter operation.
Also available on the EOS C100 Mark II is Face Detection AF*, which is offered in two modes: Face Priority AF and Face Only AF. To allow for maximum coverage of the image that can use this facility when Face AF modes are activated, Dual Pixel CMOS Autofocus is switched off and instead the camera uses Contrast AF to achieve sharp focus.
* Face Detection AF available with Canon EF-S STM lenses.
HIGH SENSITIVITY, LOW NOISE
The EOS C100 Mark II offers high sensitivity recording with an impressive ISO range from 320 right up to ISO 102,400. These extended ISO capabilities allow users to record images more brightly with low noise in extreme low-light shooting environments.
DUAL FORMAT RECORDING AT UP TO 1080/60p
The EOS C100 Mark II allows users to record footage onto both memory cards, choosing between relay recording – where the recording card automatically switches to the other when full – or simultaneous recording where both cards record the same material, providing an automatic backup.
In addition, the camera further extends this capability by allowing Dual Format Recording. This feature allows operators to simultaneously record at up to 1080/60p, storing AVCHD files to one SD card while the second SD card records MP4 files. Operators can even capture AVCHD footage in HD whilst recording MP4 files in SD resolution for maximum workflow flexibility and quick turn-around.
The camera also features a selectable continuous recording option. This function continues to record regardless of the Start/Stop button setting and is available in AVCHD mode only.
EASE OF USE & HANDLING
The EOS C100 Mark II is designed for effortless, single-operator filmmaking. Thanks to feedback from users and industry professionals, the EOS C100 Mark II has been fine-tuned to incorporate further advancements to help the needs of the lone operator. An improved EVF is now larger (at 1.1cm) and can be tilted to any angle up to 68 degrees to suit the operator and shooting conditions, while a new, 8.8cm, 1.23 million pixel OLED display is articulated and can be tilted and adjusted to suit a wide variety of shooting applications.
The EOS C100 Mark II’s lightweight, ergonomic design makes it easy to pack and comfortable to hold and use – even in tight shooting situations. A robust, splash-resistant body with magnesium alloy components provides the durability needed to go wherever a story takes you.
With even more customisable options – including 17 assignable function buttons and extensive Custom Picture options – the C100 Mark II allows the user to fully optimise the camera to their own personal preferences.
The original EOS C100 was designed from the outset with the needs of the lone operator in mind. Making life easier and more convenient for the user, who does not have a crew to take care of every aspect of production, was therefore a critical factor.
Continuing this development the EOS C100 Mark II comes with built-in WiFi to allow for Browser Remote control as well as the ability to upload and share content via an FTP file transfer function. The camera is also compatible with the optional RC-V100 remote control to further extend functionality and creativity when shooting in studio or on location.
CANON LOG & WIDE DR GAMMA
For the widest possible latitude in footage, and where total control is necessary, Canon Log Gamma provides 12 stops of latitude (800% dynamic range) for maximum flexibility in post-production. It enables detailed adjustment for highlight and shadow and broadens the range of colour grading.
The EOS C100 Mark II features an additional Wide Dynamic Range (Wide DR) Gamma feature that produces smooth changes in brightness, seamless gradations, and reproduces clear skin tones with uniform colours; thus delivering footage that can be used without colour grading.
EXTERNAL RECORDING POSSIBILITIES
For productions where image quality is absolutely paramount the EOS C100 Mark II is a compact powerhouse that offers clean, uncompressed HDMI output which can be used for high bit rate recording with compatible external devices. Timecode and 2:3 pull-down markers can be embedded in the output signal as required.
COMPREHENSIVE LENS COMPATIBILITY & BUILT-IN FILTERS
Expand your creative options with a huge range of interchangeable lenses. The EF mount on the EOS C100 Mark II is compatible with the full range of Canon EF lenses, including the acclaimed Canon 4K EF Cinema lens line-up. This wide-ranging lens compatibility provides a wealth of creative possibilities, with the EF lens range spanning focal lengths from 8mm to 800mm specialist options such as Macro, Tilt-Shift and Fisheye optics. Three built-in ND filters with manual control increase shooting versatility.
The EOS C100 Mark II is equipped with multiple options for audio capture. Aside from the stereo microphone found on the detachable handle, the camera has two XLR input sockets on the top handle with a 3.5mm jack on the main camera body. A small monoaural microphone is also located on the front of the camera that is ideal for continuity recording, voice annotations and ambient sound capture.
To ensure that audio quality matches the high-quality images produced by the camera Linear PCM recording is available.
CPS VIDEO SUPPORT
Owners of the EOS C100 Mark II can take advantage of the CPS Video service – Canon’s support programme for professional videographers. CPS Video offers exclusive access to a range of benefits including CPS support at major events, a priority repair service and local CPS support in selected countries. For full details about the CPS programme please click here.
DIGIC DV4 PROCESSOR
New to the Cinema EOS range of Digital Cinema Cameras is the DIGIC DV4 processor, which provides enhanced image reproduction, supplementing the strengths of the DIGIC DV family – such as smooth gradation and faithful colour reproduction – with support for recording at higher data rates. The sensor and processor work together with the same 2K RGB processing system as found on the larger EOS C500 Digital Cinema Camera. This ensures reduction in both moiré and aliasing, resulting in cleaner, sharper images.
DUAL PIXEL CMOS AF
Dual Pixel CMOS AF technology is a groundbreaking innovation from Canon. The sensor in the EOS C100 Mark II is composed of two separate photodiodes for each pixel in order to achieve high-speed readout. With full rein given to these characteristics the sensor is capable of detecting two image signals from each pixel. The pioneering Dual Pixel CMOS AF function offers fast, smooth and accurate focusing when used with a huge range of EF lenses.
SUPER35MM CMOS SENSOR
Canon develops and manufactures its own sensors and has incorporated an 8.3MP Super35mm CMOS sensor in the EOS C100 Mark II. This sensor has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The camera uses a system developed for Canon’s flagship EOS C500 Digital Cinema Camera, which processes the native 8.3MP readout to produce the very best HD image quality.
Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted.
|Sensor||Super 35mm type CMOS|
|System||RGB primary colour filter (Bayer array)|
|Total pixels per sensor||9.84 megapixels|
|Effective pixels per sensor||8.29 megapixels approx. (3840 x 2160)|
|Minimum illumination||59.94Hz Mode 0.3 Lux
[F1.2 lens, 24 dB, PF29.27 mode, shutter speed 1/30]
50Hz Mode 0.25 Lux
[F1.2 lens, 24 dB, PF25, shutter speed 1/25]
|Sensitivity||59.94Hz Mode F9
[1920x1080/59.94i, ISO640 (0dB), 2000 Lux, 89.9% reflection]
50Hz Mode: F10
[1920x1080/50.00i, ISO640 (0dB), 2000 Lux, 89.9% reflection]
|S/N Ratio||59.94Hz Mode 54dB (Typical)
[1920x1080/PF29.97, Canon Log base sensitivity ISO 850 (Dynamic range 800%)]
50Hz Mode: 54dB (Typical)
[1920x1080/PF25, Canon Log base sensitivity ISO 850 (Dynamic range 800%)]
|Dynamic Range||During normal shooting: 300%
With Canon Log Gamma: 800%. With Wide Dynamic Range setting (Wide DR):800%
(ISO 850 or above/gain 2.5 dB or more)
|Horizontal Resolution||Dependent on lens used|
|Lens Mount||Canon EF Mount, including EF-S and EF Cinema lens|
|Focal length||Equivalent to 1.53x the focal length of EF lenses; Cinema Zoom lenses as per lens focal length|
|Peripheral illumination correction||YES (dependent on lens used)|
|ND filter||4 glass filters in camera body: Clear; 2 stops; 4 stops; 6 stops. Operate via dial on body|
|Focus control||(A)Manual via lens focus ring; (B) ONE-SHOT AF AND (C) Continuous AF also available.
AF System: Dual Pixel CMOS AF²
TTL-video signal detection system (contrast detection) when face AF selected¹
FACE DETECTION AF: Face Priority or Face Only AF option
|Iris control||Via body, grip, remote control or Push Auto Iris control. Continuous Auto Iris Control available with selected EF-S STM lenses¹
1/2-stop, 1/3-stop or FINE control.
Possible to maintain constant F-number during zoom
|Image stabilization system||Depends on lens used|
|Type||DIGIC DV 4|
|Video storage media||SD/SDHC/SDXC card (2 card slots)|
|Recording time||64GB SD card: up to 5 hours,5 minutes. (1920 x 1080 @28Mbps VBR)|
|Recording file format||AVCHD/MP4. Dual format recording available|
|Recording format||AVCHD: MPEG-4 AVC/H.264
28/ 24 /17 Mbps 1920 X 1080; 7 Mbps (1440 x 1080). ALL VBR/4:2:0 SAMPLING
35/24/17 Mbps 1920 X 1080. 4Mbps 1280 X 720,3Mbps 640 X 360. ALL VBR/4:2:0 SAMPLING
|Recording frame rate||AVCHD: 59.94 Hz(NTSC) MODE. 28Mbps: 59.94P. 24/17/7Mbps: 59.94i/PF29.97/23.98P
50.00 Hz mode (PAL) MODE. 28Mbps:50.00P. 24/17/7Mbps:50.00i/PF25
MP4: 59.94 Hz(NTSC) MODE. 35Mbps:59.94P. 29.97P/23.98P: 24/17/7/4/3 Mbps
50.00 Hz mode (PAL) MODE. 35Mbps: 50.00P. 24/17/7/4/3 Mbps:25.00P
|Slow/Fast motion||YES (MP4 HD Mode only. 2.5x fast motion, 0.5x slow motion)|
|Continuous Recording Mode||YES. (Requires compatible Non Linear Editing software to exploit this feature)|
|Pre Record (cache record)||YES (3 seconds)|
|Double Slot (simultaneous) Recording||YES. AVCHD + AVCHD/AVCHD + MP4/MP4 + MP4|
|HD->SD conversion||YES. Vertical or horizontal image inversion, or both.|
|Internal Data Transfer||MOVIE: Yes (SD card to SD card)|
|Photo storage media||SD/SDHC/SDXC CARDS. Class 10 cards recommended for full function compatibility|
|Still quality||During video recording: 1920 x 1080/1280 x 720/640 x 360. Dependent on Video Recording Mode selected. Play back mode: 1920 x 1080|
|Size||Organic LED(OLED)8.8 cm 100% view|
|Dots||1.23 million (approx.)|
|Image quality adjustments||Brightness, Contrast, Colour, Sharpness, Luminance, Colour Balance|
|Adjustable||Up/down/left/right according to camera configuration|
Magnifying (25 points selectable, Manual Focus mode)
Edge Monitor (using waveform display)
|Peaking||Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable for each)|
|Zebra||Level 1; Level 2; Both
Output via HD-SDI or HDMI SELECTABLE
|Markers||On/Off (Aspect ratio, Aspect marker, Safety Zone Area, Safety Zone, Grid, Horizontal, Centre)|
|Dots||1.23 million (approx.) 99.8% field of view|
|Image quality adjustments||Brightness, Contrast, Colour, Sharpness, Backlight,|
|Correction lens||+ 2.0 to -5.5 diopters|
|Audio in||XLR inputs with 48V phantom power (x2) on handle, 3.5mm microphone input jack on camera body|
|Headphone output||3.5mm stereo jack|
|Video monitor output||NO|
|HDMI||YES (Type A, output only)|
|IEEE 1394 (Firewire)||NO|
|USB||YES (Mini-B, USB 2.0 Hi-Speed, Output Only)|
|Time code||YES (Superimposed on HDMI Output signal, Selectable)|
|AV terminal||YES (output only)|
|Remote Control Terminal||2.5mm mini jack. Compatible with RC-V100|
|Wireless Control Terminal||NO|
|Colour Bars||EBU/SMPTE, (50.00Hz mode) SMPTE/ARIB (59.94Hz mode)|
|Accessory shoe||YES (cold shoe, 2 locations: top of body, front of handle)|
17 assignable buttons; select from approx. 52 functions.
Side grip joystick functions assignable to alternative buttons.
|Exposure Setting and metering||Manual: Exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting;
Push Auto Iris/Continuous AI metering options:
(i) Standard (Centre-weighted metering)
(iii) Backlight (compensation)
|Exposure compensation||YES. AE Shift function. +/-2, +/-1.75, +/-1.5, +/-1.25, +/-1.0, +/-0.75, +/-0.5, +/-0.25, +/-0|
|Auto Exposure mode*||YES. Continuous Auto Iris (Canon lenses with 'stepping motor' (STM)|
|Push Auto Iris||YES (EF and EF-S lenses. Not available with EF Cinema Lenses|
|Auto Gain Control setting||NO|
|ISO Sensitivity||1-stop display: 320, 400, 800, , 1600, 3200, 6400, 12800, 20000.
Extended Range ON: 320, 400, 800, , 1600, 3200, 6400, 12800, 25600, 51200, 80000,102400
1/3rd stop display: 320, 400, 500, 640, 800, , 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000; Extended Range ON 25600, 32000, 40000, 51200, 64000, 80000, 102,400
|Gain setting||NORMAL: -6dB, -3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB;
Extended Range on: 33dB, 36dB, 39dB, 42dB, 44dB
FINE: -6 dB to 24 dB (0.5 dB increments).
|Control Modes||Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)|
|Shutter speed||1/3 to 1/2000 depending on frame rate and Shutter Control Mode|
|Shutter Angle||11.25º to 360º depending on frame rate|
|Slow Shutter (SLS)||1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate and camera frquency mode|
|Clear Scan|| 59.94Hz Mode: 59.94i: 59.94 -250.51Hz/PF 29.97: 29.97Hz - 250.51Hz/23.98P: 23.98Hz -250.51Hz
50.00Hz Mode: 50.00i: 50Hz-250.51Hz/ PF25.00: 25Hz - 250.51Hz
|Stored Configurations||9, including 3 presets (CINEMA, Wide Dynamic Range (Wide DR) and EOS Std)|
|Storage Medium||SD/SDHC memory card (all customisation data and metadata), up to 20 custom pictures per card|
|Canon Log Gamma||YES|
|Master Pedestal||-50 to +50|
|Master Black||-50 to +50 for each of R,G,B|
|Black Gamma||Adjustable Level, Range and Point|
|Low Key Saturation||-50 to +50 adjusts colour saturation in low brightness area|
|Knee||Adjusts over exposure characteristic, start, slope, saturation|
|Sharpness||Adjustment for Level, H Detail Freq, Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level Dependent Sharpness|
|Noise reduction||Off, On (1 to 12)|
|Skin detail||Off, Low, Middle, High / Hue, Chroma, Brightness, Area, Y Lev|
|Selective Noise Reduction||Off, Low, Middle, High / Hue, Chroma, Brightness, Area, Y Lev|
|Colour matrix||Phase, Gain and RGB adjustment, in tandem with Gamma selection|
|White balance||-50 to +50 R Gain, B Gain|
|Colour correction||Area selection / area revision of two areas|
|Setup level||-50 to +50 On/Off|
|Clip 100% IRE||Limits output to 100% after setup adjustment|
|Wi-Fi||IEEE 802.11 b/g/n (2.4GHz)/IEEE 802.11 a/n (5GHz. Not available in all territories)
Authentication: Open, WPA-PSK/WPA2-PSK. Encryption System: WEP-64, WEP-128, TKIP, AES
Max. Transmission Speed: 150Mbps (2.4/5GHz, IEEE802.11n)
|GPS Information (Optional Accessory)||Latitude/Longtitude/Elevation, Coordinated Universal Time (UTC)|
|Preset||Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B|
|White Balance Shift||YES. -9 to +9 (Daylight and Tungsten only)|
|Black balance adjustment||YES|
|Countup system||Regen, RecRun, FreeRun, Hold (Drop frame available for some frame rates), NDF only in 24P|
|Start value setting||“00:00:00:00”, Set/Reset selectable|
|Recording||AVCHD: Linear PCM (16-bit 2ch (48 kHz) when 28 or 24 Mbps LPCM selected
Dolby Digital when 28/24/17/7 Mbps selected. 2 CHANNEL
MP4: MPEG-4 AAC-LC (16 bit/48 KHz) Bit rate: 35 - 17 Mbps 256kbps, less than 4Mbps: 128kbps
|Control||Independent limiters and auto/manual settings|
|Microphone attenuation||YES, for built in microphone (in handle unit) and 3.5mm MIC jack|
|Microphone level meter||YES|
|Supplied||Data Import Utility Software, Handle Unit with microphone, Thumbrest, Grip, Tripod base adaptor plate, Shoulder strap SS-1200, EVF cap, Battery Charger CG-940, Battery pack BP-955, Compact Power Adpter CA941(outside USA).Tripod Base TB-1, Eyecup|
|Optional||Batteries: BP-955, BP-950G/970G/975, Compact Power Adaptor CA-930 (Charge function only), Tripod Adapter TA-100, Shooting Brace SBR-1000, GPS Receiver GP-E2, Remote Contoller RC-V100|
|Power Consumption||Max approx. 10W|
|Continuous Recording Time||Supplied BP-955: Up to 275 minutes
Optional BP-975: Up to 405 minutes
|Dimensions||147 x 174 x 169mm: Body and thumb rest
188 x 189 x 219mm: Body, side grip and eyecup
188 x 280 x 334mm: Body, grip, top handle ,eyecup
|Weight (camera only)||1125g|
|Weight (fully equipped)||1950g|
|Operating Temperature range||-5ºC to +45ºC, 60% relative humidity|
|Focus control||¹ Function available with the following lenses: EF-S 18 -135mm f/3.5-5.6 IS STM, EF-S 18-55mm f/3.5-5.6 IS STM, EF-S 55-250mm f/4-5.6 IS STM, EF-S 10-18mm f/4.5-5.6 IS STM
² AF not available with Cinema lenses and other Manual Focus lenses
|Iris control||¹ Function available with the following lenses: EF-S 18 -135mm f/3.5-5.6 IS STM, EF-S 18-55mm f/3.5-5.6 IS STM, EF-S 55-250mm f/4-5.6 IS STM, EF-S 10-18mm f/4.5-5.6 IS STM|
|All specifications are subject to change without notice|