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Cinema EOS System expands with EF Cinema lens duo

Cinema EOS System expands with EF Cinema lens duo

January 2013

Canon has expanded its Cinema EOS System with the addition of two new EF Cinema lenses – the CN-E14mm T3.1L F and the CN-E135mm T2.2L F – which increase the EF Cinema range of prime lenses to five different focal lengths.

The two new lenses join Canon's CN-E24mm T1.5L F, CN-E50mm T1.3L F, and CN-E85mm T1.3L F lenses to provide a broad range of five precision-matched EF mount Cinema prime lenses that provide high optical performance levels and a choice of versatile focal lengths to give filmmakers a wide range of creative shooting choices.

All five Canon EF Cinema prime lenses are part of Canon’s Cinema EOS System of professional digital cinematography products, which includes the EOS C500 4K/2K Digital Cinema Camera, the EOS C300 Digital Cinema Camera, the EOS C100 Digital Video Camera, the EOS-1D C 4K DSLR Cinema Camera, and four Canon EF Cinema zoom lenses.

All Canon EF Cinema lenses integrate advanced materials and coatings to meet high optical performance levels, suitable for 4K (4096x2160) production. Each Canon EF Cinema lens is equipped with an 11-blade aperture diaphragm, which is ideally suited to achieve creative depth-of-field manipulation and pleasing ‘bokeh’ effects of cinematographic quality.

The CN-E14mm T3.1L F is a lightweight, compact, fixed focal length lens. It offers spectacular 4K image quality and a full-frame image circle, great low light performance and fine creative control over focusing and depth-of-field.

The Canon EF Cinema prime lenses all feature a full-frame image circle in a lightweight, compact design, and they incorporate proven Canon lens elements to provide a potent combination of 4K optical performance.

All five prime lenses deliver colour tone and balance that match Canon's top-end EF Cinema zooms and compact EF Cinema zooms. Canon's EF Cinema prime lenses are designed and built to perform in severe shooting conditions and deliver the operation and reliability required in professional film-style shooting environments.

The five Canon EF Cinema prime lenses feature mechanical attributes specifically designed for motion-picture production, as opposed to still photography. These strategically integrated characteristics include 300-degree rotation on the focus ring for precision focus control as well as large, highly visible engraved focus scales for convenient operation. These markings appear on the angled surfaces on both sides of the barrel, making them easy to both read and to adjust the stepless focus and/or aperture settings of the lenses from behind - or from either side - of the camera. Focus markings can be switched from Metric to Imperial labelling, and control rings are engineered to maintain the proper amount of resistance with consistent operating torque and familiar tactile ‘feedback’ for satisfying manual control.

The CN-E135mm T2.2L F is the second new optic to join the EF Cinema lens range. Like all EF Cinema prime lenses it offers spectacular 4K image quality, a full-frame image circle, great low light performance, plus fine creative control over focusing and depth-of-field.

All Canon EF Cinema prime lenses share the same uniform gear positions, diameters, and rotation angles, as well as front-lens diameters, making them compatible with matte boxes, follow focus gear, marking disks, and other third party film-industry-standard accessories. Film crews can quickly change lenses without the need for accessory gear-position adjustments or other changes to the rig setup.

The new Canon CN-E14mm T3.1L F and CN-E135mm T2.2L F lenses - as well as the Canon CN-E24mm T1.5L F, CN-E50mm T1.3L F and CN-E85mm T1.3L F primes - are fully compatible with any Canon EF mount camera, including the Canon EOS C500, EOS C300, EOS C100 and EOS-1D C digital cinema cameras, as well as the EOS range of DSLR cameras. The EF mount design of all five Canon EF Cinema prime lenses provides communication with the digital cinema cameras for many handy features such as displaying the f number in the electronic viewfinder and recording of focus/zoom position and f number.

The versatility of image-capture options using Cinema EOS cameras can be further extended with Canon's Super 35mm top-end EF Cinema zoom lenses (the CN-E14.5-60mm T2.6L S/L SP wide-angle and the CN-E30-300mm T2.95-3.7L S/L SP telephoto) and compact EF Cinema zooms (the CN-E15.5-47mm T2.8L S/L SP wide-angle and CN-E30-105mm T2.8L S/L SP telephoto). All EF Cinema zoom lenses are available in both EF and PL mount versions, as are the EOS C500 and EOS C300 cameras.

All of Canon's EF series of photographic lenses can also be used with the Cinema EOS range of cameras, including Image Stabilized zooms, tilt-shift models, and macro lenses. All of these products are designed to contribute to the continued advancement of tools for visual storytelling and express Canon's continuing commitment to cinematic culture.