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    Sämtliche Inhalte auf der CPN-Website sind auf Englisch verfügbar. Einige Inhalte, wie z. B. Produktbeschreibungen, aktuelle Produkteinführungen und einige technische Artikel, sind ebenfalls auf Deutsch, Spanisch, Französisch, Italienisch und Niederländisch erhältlich. Wählen Sie in der Liste oben Ihre Sprache aus, damit sämtliche darin verfügbaren Inhalte automatisch entsprechend Ihrer Wahl dargestellt werden. Ansonsten wird als Standardsprache Englisch verwendet.

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Technique

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Final Cut Pro (Pt. 4)

Final Cut Pro (Pt. 4)

01/09 In the latest part of CPN Video’s series on Final Cut Pro editing software Rick Young examines essential editing tools, editing by dragging, and working with SDI.

PowerShot G10

PowerShot G10

01/09 Nick Wilcox-Brown takes the Canon PowerShot G10 to Spain to examine what it’s capable of and looks at the compact camera’s impressive specifications.

James Jordan: EF200mm f/2 IS USM

James Jordan: EF200mm f/2 IS USM

01/09 Sports photographer James Jordan tested out the recently introduced EF200mm f/2 IS USM lens to see how it performed and handled when shooting indoor tennis.

Studio lenses

Studio lenses

12/08 CPN talks to some of Finland’s best studio photographers to find out what lenses they use when shooting portraits, products, still life, action and creative projects.

EOS Integrated Cleaning System

EOS Integrated Cleaning System

12/08 CPN technical editor David Newton takes a look at the hugely useful Integrated Cleaning System that’s found inside almost all of the current Canon EOS DSLRs.

Richard Walch: EOS 5D Mark II

Richard Walch: EOS 5D Mark II

12/08 Sports photographer Richard Walch took the new EOS 5D Mark II to an extreme sports event in Switzerland. In just 60 hours, he produced the movie ‘D-Style’ using its HD video mode and a host of Canon lenses.

f/2.8 v f/4 lens choice

f/2.8 v f/4 lens choice

12/08 Freelance photographer Helen Atkinson examines the lens choices available in the Canon range with identical or comparable focal lengths but in f/2.8 or f/4 options.

Lightroom 2 (Pt. 3)

Lightroom 2 (Pt. 3)

12/08 In the last of a three-part series on Adobe Lightroom 2 George Cairns looks at the editing and sharing options in the package that operate outside of its extensive Library module.

HDR photography

HDR photography

12/08 Nick Wilcox-Brown examines how best to approach High Dynamic Range photography and looks at the best software packages that allow you to produce stunning composite HDR images.

Lightroom 2 (Pt. 2)

Lightroom 2 (Pt. 2)

11/08 In the second of a three-part series on Adobe Lightroom 2 George Cairns looks at the faster asset management options available in this image-editing package.

USM lens technology

USM lens technology

11/08 David Newton explores the history, development and benefits of Canon’s Ultrasonic Motor (USM) lens technology from 1987 to the present day.

Lightroom 2 (Pt. 1)

Lightroom 2 (Pt. 1)

11/08 In the first of a new three-part CPN series on Adobe Lightroom 2 George Cairns examines the major modules in the package and compares it to Photoshop CS4 and Elements 7.

Final Cut Pro (Pt. 3)

Final Cut Pro (Pt. 3)

11/08 In part 3 of CPN’s series on Final Cut Pro editing software Rick Young explains how to edit the video footage he shot on a Canon XL H1S.

XEED digital projectors

XEED digital projectors

10/08 Nick Wilcox-Brown examines the Canon range of XEED digital projectors that delivers accurate colour out of the box and now encompasses 1080p ‘Full HD’.

Tilt and shift lenses

Tilt and shift lenses

10/08 Nick Wilcox-Brown reveals how versatile the Canon TS-E range of tilt and shift lenses can be in the studio and on location for shooting all sorts of subjects.

Lenses for weddings

Lenses for weddings

10/08 CPN talks to some of the world’s best wedding photographers to find out what lenses they use when shooting ‘the big day’ and why.

Mike French: EOS-1Ds Mark III (Pt. 2)

Mike French: EOS-1Ds Mark III (Pt. 2)

10/08 In part 2 of his EOS-1Ds Mark III road test top wedding and portrait photographer Mike French examines frame rates, resolution, colour depth, software and card capabilities.

Photoshop CS3 (Pt. 4)

Photoshop CS3 (Pt. 4)

09/08 In the last part of CPN’s series on Adobe Photoshop CS3 George Cairns delves deeper into the capabilities of the software that allow for more creative editing of your digital images.

Dioptric adjustments

Dioptric adjustments

09/08 Photographer Nick Wilcox-Brown reveals how to correct dioptric adjustment in-camera on Canon pro EOS SLRs and looks at the range of lenses that help ensure your viewfinder offers perfect clarity every time.

Inside Final Cut Pro (Pt.2)

Inside Final Cut Pro (Pt.2)

09/08 In the second part of CPN’s series on Final Cut Pro editing software Rick Young examines the options for capturing footage.


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